Dylan Atkins, Landscapology, oil on Ply, 2007.
In challenging a number of key art movements – by invoking a series of apparently disconnected aesthetic parodies – what exactly is achieved?
Could it be some truth regarding the normalisation of art that occurs when it is converted into history? This then would be no concrete constructivist truth, but instead an unveiled Heideggerean truth of correspondence or aletheia.
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